My mother loved beautiful, stylish clothes, so when Jane Bonomo opened her own dress shop in 1973, my mother drove herself, me and my sister in the Impala to Bonomo's and began to shop.
When I had my first formal job interview in 1982, my mother took me to Bonomo's and Jane Bonomo selected a beige suit for me and added an Austin Hill lavender and beige blouse and a lavender cummerbund. I would never have selected it for myself, yet I felt like myself. I felt New York chic.
Jane asked, "What about shoes?"
For complex reasons, I had been an androgynous dresser, Levi's jeans central to my wardrobe. I described to Jane the only pair of heels I had been able to find that I could walk in inexpertly with my wide feet: black slings with light-toned, wooden heels.
Twenty-five years later, I can still remember how vulnerable I felt. When Jane looks at you, she sees you. I could tell that the black shoes, especially with straps, would do, but they would lessen, not increase, the beauty of the outfit.
"No beige pumps, no taupe?" she asked. I shook my head no.
I could see in her face that she knew, at this time in my life, the black shoes were the very best I could do. I can't remember exactly what she said, but I know she didn't say they would be fine. She let go. She didn't compromise the integrity of her sense of style or taste. But she let me keep as far as I had gotten.
My mother was known for grand visions, grand gestures and grand generosity. She bought me a wedding trousseau at Bonomo's for a one-night honeymoon at the Hotel Roanoke - a red cotton blouse and matching skirt, white Austin Hill dress pants, and an Austin Hill pastel striped summer suit that I still have and keep in drycleaning plastic. I remember feeling elated when Jane held the suit up for consideration. I've been thin enough to wear the suit only just after my wedding and just after my divorce. If it fit, I would wear it now. I felt like my true self in that suit.
I moved away, but when I would come home to visit, my mother would take me to Bonomo's. For decades, I have been complimented on my clothes. I have been seen and dressed as myself by Jane Bonomo.
When I moved back home, my mother was well enough to take me to Bonomo's only a few times. The past few years have been difficult and when I went to Bonomo's on my own, I felt like I stumbled in, usually in Levi's and glasses, no make-up, my hair not fixed, or spike-haired and damp after a workout at The Weight Club. "I have a gig," I would say. I said little else, as did they. The grand one was dying, then died, and the daughter needed help dressing. Jane and her staff knew one shirt was the best I could do. They would find the needed shirt to go with a suit I already had from Bonomo's. Shirt in signature Bonomo's green bag with handles, I would stumble out.
When designer Kelsey Sarles insisted I have a professional photograph taken for the cover of Work: It's Personal, I knew what suit I would wear. Jane Bonomo and my mother both helped pick it for me probably ten years ago. In it, I feel like my true self.
Last week, I walked into Bonomo's, braving the memories of being there with my mother. I said to Jane, "I have a gig. It's in New York. I need a new suit. Will you help me be my true self in New York?" I felt so vulnerable. What I wanted to ask was, "Am I still myself? Can you still see me after all that's happened?"
She saw me in a charcoal gray pants suit with a gray, black and taupe patterned shell. I would never have picked it for myself. But I felt New York chic. And I have black shoes that go with the suit perfectly.
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Work: It's Personal is a collection of the workplace advice columns I have written for Valley Business FRONT since December of 2008. In the latest two photographs for the magazine, I am wearing jackets from Bonomo's.
Work: It's Personal is described on Handshake 2.0 with reviews and all the book's details. These are links to Work: It's Personal on Amazon.com and Work: It's Personal for the Kindle.



